August 24th, 2009, 10:33 AM
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| ♥ Join Date: Jun 2007 Location: You're the reason I rip wings off butterflies. Age: 16 Posts: 2,507
|  The House on Mango Street
mangos!
no that is actually not what this book is about
it's by sandra cisneros, i read it this summer <3
it's comprised of a bunch of different vignettes about this kind of impoverished latino neighborhood, and you could argue it presents feminist themes once or twice.
this is sally, my favorite chapter: Quote: Sally is the girl with eyes like Egypt and nylons the color of smoke. The boys at school think she's beautiful because her hair is shiny black like raven feathers and when she laughs, she flicks her hair back like a satin shawl over her shoulder and laughs.
Her father says to be this beautiful is trouble. They are very strict in his religion. They are not supposed to dance. He remembers his sisters and is sad. Then she can't go out. Sally I mean.
Sally, who taught you to paint your eyes like Cleopatra? And if I roll the little brush with my tongue and chew it to a point and dip it in the muddy cake, the one in the little red box, will you teach me?
I like your black coat and those shoes you wear, where did you get them? My mother says to wear black so young is dangerous, but I want to buy shoes just like yours, like your black ones made out of suede, just like those. And one day, when my mother's in a good mood, maybe after my next birthday, I'm going to ask to buy the nylons too.
Cheryl, who is not your friend anymore, since last Tuesday before Easter, not since the day you made her ear bleed, not since she called you that name and bit a hole in your arm and you looked as if you were going to cry and everyone was waiting and you didn't, you didn't, Sally, not since then, you don't have a best friend to lean against the schoolyard fence with, to laugh behind your hands at what the boys say. There is no one to lend you her hairbrush.
The stories the boys tell in the coatroom, they're not true. You lean against the schoolyard fence alone with your eyes closed as if no one was watching, as if no one could see you standing there, Sally. What do you think about when you close your eyes like that? And why do you always have to go straight home after school? You become a different Sally. You pull your skirt straight, you rub the blue paint off your eyelids. You don't laugh, Sally. You look at your feet and walk fast to the house you can't come out from.
Sally, do you sometimes wish you didn't have to go home? Do you wish your feet would one day keep walking and take you far from mango street, far away and maybe your feet would stop in front of a house, a nice one with flowers and big windows and steps for you to climb up two by two upstairs to where a room is waiting for you.
And if you opened the little window latch and gave it a shove, the windows would swing open, all the sky would come in. There'd be no nosy neighbors watching, no motorcycles and cars, no sheets and towels and laundry. Only trees and more trees and plenty of blue sky. And you could laugh, Sally. You could go to sleep and wake up and never have to think who likes and doesn't like you. You could close your eyes and you wouldn't have to worry what people said because you never belonged here anyway and nobody could make you sad and nobody would think you're strange because you like to dream and dream. And no one could yell at you if they saw you out in the dark leaning against a car, leaning against somebody without someone thinking you are bad, without somebody saying it is wrong, without the whole world waiting for you to make a mistake when all you wanted, all you wanted, Sally, was to love and to love and to love and to love, and no one could call that crazy. |
bitch, don't you tl;dr that. i typed it all from my copy of the novel right here. >:c |
 
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